康里巎巎（1295-1345）

康里巎巎《致彥中尺牍》纸本 30.8×55.6cm 台北故宫博物院藏

释文：康里巎頓首再拜彥中管賢友足下。十二月十二日。金子振宣使至。得教字。深荷遠懷之至。中間見誨。實是下心。然亦自有公論也。於此足見足下篤于吾眾弟至深。不肖惟多馳感耳。不知來春可果至都不。付下棋枰帽等皆已領。此時請家兄使想已達。度賢友亦必喜也。此間公私。皆望家兄早來，閑報吾兄知之。文書一節。克明甚是用心。緣不肖小女病四五十日。竟至逝去。不勝悲塞。奈何奈何。（四五下十六字旁注）。及身常有微恙。不曾與克明相見。近月半日來方出。當與彼論之。後便奉報。未由奉見。願盡珍重理。今因人便。草草不宣。康里巎頓首拜。十二月十四日書。諸般雜色素箋及建連。付來些小為禱。銀朱亦望惠數兩。欲為印色。此中者不可故也。（諸般下三十三字。雙行夾注）。彥中賢友足下。康里巎謹封。（十一字原籤。康里巎謹封五字文不全）。
印鉴：巎印（半印）
其他印记：石渠寶笈 寶笈三編 漫堂珍賞 牧仲 陳以御 陳定書印 無恙（左作鶴形） 嘉慶御覽之寶 商丘宋犖（半印） 露□（半印） 卞令之氏 以御鑒（半印）

　 　康里巎巎雖然以二王为典范，但是不像赵孟頫那样讲究结体的完美，或一字之內笔锋精巧的变化，而是单纯的着重在笔画流暢爽利的动态。

Kangli Nao (style name Zishan; posthumous title Wenzhong) from the Kazak tribe Kangli served as Hanlin Recipient of Edicts under Emperor Shun. Widely learned, he excelled at standard, running, and cursive scripts. Histories record his running cursive as following Zhong You and Wang Xizhi, his brushwork handsome with round forceful turns. Histories also state his script began with Wang Xianzhi, incorporating Mi Fu’s style for attractiveness. The semi-cursive here combines aspects of the Two Wangs and Mi Fu, the movement fluid and pure with pure full ink tones. The recipient was a fellow official, Ye Yanzhong, serving then as Archivist at the Jiangnan Branch Censorate. From not long before 1329, it is a late example of Kangli’s calligraphy. (20121017)

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